Results for 'Simonetta Falasca Zamponi'

113 found
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  1.  11
    Rethinking the Political: The Sacred, Aesthetic Politics, and the Collège de Sociologie.Simonetta Falasca-Zamponi - 2011 - Mcgill-Queen's University Press.
    Rethinking the Political demonstrates that the Collège de Sociologie's quest to create a new place for the sacred in modern collective life ostensibly entailed avoiding the theorization of both aesthetics and politics. While the Collège condemned manipulation by totalitarian regimes, its understanding of community also led to a rejection of democratic and communist forms of political organization, leaving the group open to accusations of flirting with fascism. Acknowledging these political ambiguities, the author goes beyond a narrow ideological reading to reveal (...)
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  2.  18
    The Artist to Power?Simonetta Falasca-Zamponi - 1996 - Theory, Culture and Society 13 (2):39-58.
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  3.  26
    The Legacy of the Italian Resistance.Simonetta Falasca-Zamponi - 2016 - The European Legacy 21 (1):93-94.
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  4. The Politics of Aesthetics: Mussolini and Fascist Italy.Simonetta Falasca Zamponi - 2016 - In Arundhati Virmani (ed.), Political aesthetics: culture, critique and the everyday. New York: Routledge, Taylor & Francis Group.
     
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  5.  17
    Fascism and aesthetics.Simonetta Falasca-Zamponi - 2008 - Constellations 15 (3):351-365.
  6.  37
    The Aesthetics of Politics: Symbol, Power and Narrative in Mussolini's Fascist Italy.Simonetta Falasca-Zamponi - 1992 - Theory, Culture and Society 9 (4):75-91.
  7. Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy. By Simonetta Falasca-Zamponi.D. Ward - 2000 - The European Legacy 5 (3):486-486.
     
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  8. Fascist Italy and Nazi Germany: The" Fascist" Style of Rule. By Alexander J. De Grand.S. Falasca-Zamponi - 2000 - The European Legacy 5 (3):452-452.
  9.  31
    The gendered masses: Politics and aesthetics in the making of the fascist dux.Slmonetta Falasca-Zamponi - 1997 - The European Legacy 2 (5):854-867.
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  10.  10
    Georges Bataille: Key Concepts.Mark Hewson & Marcus Coelen (eds.) - 2015 - New York: Routledge.
    Georges Bataille was a philosopher, writer, and literary critic whose work has had a significant impact across disciplines as diverse as philosophy, sociology, economics, art history and literary criticism, as well as influencing key figures in post-modernist and post-structuralist philosophy such as Jacques Derrida and Michel Foucault. In recent years, the number of works published on Georges Bataille, as well as the variety of contexts in which his work is invoked, has markedly increased. In _Georges Bataille: Key Concepts_ an international (...)
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  11. The Stranger and Modernity: From Equality of Rights To Recognition of Difference.Simonetta Tabboni - 1995 - Thesis Eleven 43 (1):17-27.
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  12. Editoria e filosofia nella seconda meta del'500: Giordano Bruno ei tipografi londinesi'.Simonetta Bassi - 1997 - Rinascimento 37:437-58.
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  13.  1
    Not only infinity: Poverty and ‘minutiae’ in the philosophy of Giordano Bruno.Simonetta Bassi - forthcoming - Diogenes:1-11.
    This paper develops two perspectives. On the one hand, it analyzes and reconstructs the relationship between wealth and poverty as addressed by Giordano Bruno in the Expulsion of the Triumphant Beast, both against the backdrop of the new geographical discoveries and mercantilist theories and in relation to Bruno’s project of ethical, political, and religious renewal. On the other hand, it recovers Bruno’s passages on the ‘minuzzarie’ as a key concept to redress ‘ontological poverty’ by locating in every aspect of reality, (...)
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  14.  19
    The alchemy of Extremes.Simonetta Bassi - 2004 - Rivista di Storia Della Filosofia 2.
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  15.  15
    Blaise Bachofen, Bruno Bernardi, André Charrak et Florent Guénard (éd.), Philosophie de Rousseau.Lætitia Simonetta - 2016 - Astérion 14 (14).
    Bruno Bernardi ouvre cet imposant recueil en dégageant la difficulté inhérente à son titre : peut-on trouver dans l’œuvre de Rousseau une philosophie? Les actes du colloque sur Rousseau ayant eu lieu en juin 2012 à l’ENS de Lyon manifestent un vrai renouvellement des lectures de l’œuvre du Genevois. Dans une histoire séquencée dont l’utilité pour les jeunes chercheurs justifierait à elle seule l’existence de cet ouvrage, B. Bernardi rappelle les grands jalons de la critique du xxe siècle. Le...
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  16.  15
    Due percorsi paralleli nel pensiero anti-ierocratico del XIV secolo: Marsilio da Padova e John Wyclif.Stefano Simonetta - 1997 - Rivista di Storia Della Filosofia 1.
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  17.  14
    Histoire et historiens des idées: figures, méthodes, problèmes.David Simonetta & Alexandre de Vitry (eds.) - 2020 - Paris: Collège de France éditions.
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  18.  16
    Le Rousseau de Cassirer.Laetitia Simonetta - 2018 - Astérion 18 (18).
    The way Ernst Cassirer understands Jean-Jacques Rousseau at the beginning of the 1930’s is interesting, in so far as it puts forward different mechanisms of interpretation, which Cassirer is not always conscious of. On the one hand, Cassirer claims to have a fresh and neutral interpretation of Rousseau’s works, going above divergent contemporaneous interpretations. On the other hand, his thought is actually determined by his personal philosophical formation, that is to say the neokantism of the Marburg School, and above all (...)
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  19. Argent et ambivalence. Les jeunes femmes et l'argent.Simonetta Tabboni - 1999 - Cahiers Internationaux de Sociologie 106:225-236.
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  20.  37
    De l'ambivalence sociale à l'ambivalence culturelle.Simonetta Tabboni - 2007 - Cahiers Internationaux de Sociologie 123 (2):269.
    La sociologie classique a utilisé la notion d’ambivalence sociale pour désigner la combinaison, nécessaire, mais chargée de conflit, entre l’obéissance aux normes et la volonté d’affirmer sa liberté. Il faut distinguer cette notion de celle d’ambivalence culturelle, qui désigne la nécessité de suivre à la fois des exigences culturelles opposées, en particulier dans un rapport majorité/minorité. La figure de l’étranger dessinée par Georg Simmel est l’exemple type de cette ambivalence, source de frustrations, mais qui néanmoins représente la moins mauvaise solution (...)
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  21.  21
    Il ritorno allo scetticismo: da Descartes a Bayle.Simonetta Todi - 2001 - Rivista di Storia Della Filosofia 4.
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  22.  13
    Figure della conversione. Il teatro di Paul Claudel.Simonetta Valenti - forthcoming - la Società Degli Individui.
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  23. French Literary Fascism: Nationalism, Anti-Semitism and the Ideology of Culture. By David Carroll.S. F. Zamponi - 2000 - The European Legacy 5 (2):288-288.
     
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  24.  68
    The Realism and Ecology of Augmented Reality.Giovanni Simonetta - 2015 - Techné: Research in Philosophy and Technology 19 (1):92-112.
    Unlike in the phrase “Virtual Reality,” in the phrase “Augmented Reality” the stress is put on the word “reality.” It seems, though, that we still lack a concept of reality which can fit the world of both humans and computers. In connection with this philosophical issue, this paper aims to provide the background for a better insight into the meaning of Augmented Reality and its impact on human behavior. My thesis is that an ecological version of direct perception’s realism constitutes (...)
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  25.  21
    Abelian C-minimal groups.Patrick Simonetta - 2001 - Annals of Pure and Applied Logic 110 (1-3):1-22.
    Macpherson and Steinhorn 165–209) introduce some variants of the notion of o-minimality. One of the most interesting is C-minimality, which provides a natural setting to study algebraically closed-valued fields and some valued groups. In this paper we go further in the study of the structure of C-minimal valued groups, giving a partial characterization in the abelian case. We obtain the following principle: for abelian valued groups G for which the valuation satisfies some kind of compatibility with the multiplication by any (...)
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  26. Searching for an uneasy synthesis between Aristotelian political language and Christian political theology.Stefano Simonetta - 2011 - In Luca Bianchi (ed.), Christian readings of Aristotle from the Middle Ages to the Renaissance. Turnhout: Brepols Publishers. pp. 273--285.
  27.  15
    Bruno secondo Bruno: le ricerche di Ludovico Limentani.Simonetta Bassi - 1995 - Rivista di Storia Della Filosofia 50 (3):617.
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  28. Computational Linguistics Meets Philosophy: A Latent Semantic Analy-sis of Giordano Bruno's Texts.Simonetta Bassi, Felice Dell'orletta, Daniele Esposito & Alessandro Lenci - 2006 - Rinascimento 46:631-647.
  29. Giordano Bruno, Opere mnemotecniche, II. Edizione diretta da Michele Ciliberto, a cura di Marco Matteoli, Rita Sturlese e Nicoletta Tirinnanzi.Simonetta Bassi - 2011 - Rivista di Storia Della Filosofia 66 (1):169.
  30.  8
    L'arte di Giordano Bruno: memoria, furore, magia.Simonetta Bassi - 2004 - [Firenze]: Leo S. Olschki Editore.
  31.  43
    Momenti della fortuna di giordano bruno fra la fine dell'Ottocento e i primi anni del Novecento.Simonetta Bassi - 2012 - Rivista di Storia Della Filosofia 3:545-567.
  32. Alle radici del cambiamento.Simonetta Botti - 2003 - ENCYCLOPAIDEIA 13:65-81.
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  33.  17
    Italie : Consensus émotionnel et maintien des antagonismes critiques.Simonetta Ciula - 2006 - Hermes 46:125.
    La presse italienne a suivi de très près l'agonie et la mort du pape Jean-Paul II. Il s'agit certainement de l'événement le plus médiatisé depuis les attentats terroristes du 11 septembre 2001. Les quatre titres italiens, malgré leur positionnement politique différent, analysent l'événement avec le même degré de dramatisation et d'intensité. Ils proposent un récit fortement sentimental à travers le recours à un langage émotionnel, à des images touchantes ou, encore, à une mise en page spécifique. Les thèmes qui reviennent (...)
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  34.  20
    Gift and Self-Giving in the Relationship of Communion.Simonetta Magari - 2014 - Journal for Perspectives of Economic Political and Social Integration 19 (1-2):165-176.
    Psychology doesn’t seem to be really interested in the theme of gift; in the last decades it focus on the central role of recognition in the psyche building up. The authors underline Chiara Lubich’s original intuition linking profoundly the them of gift and recognition.
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  35.  19
    Schlegels Lucinde oder der ästhetische Roman.Simonetta Sanna - 1987 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 61 (3):457-479.
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  36.  55
    Equivalence elementaire et decidabilite pour Des structures du type groupe agissant sur un groupe abelien.Patrick Simonetta - 1998 - Journal of Symbolic Logic 63 (4):1255-1285.
    We prove an Ax-Kochen-Ershov like transfer principle for groups acting on groups. The simplest case is the following: let B be a soluble group acting on an abelian group G so that G is a torsion-free divisible module over the group ring Z[B], then the theory of B determines the one of the two-sorted structure $\langle G, B, *\rangle$ , where * is the action of B on G. More generally, we show a similar principle for structures $\langle G, B, (...)
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  37.  55
    « L'âme pense-t-elle toujours ? » Postérité de la théorie de l'intensio et remissio formarum dans la querelle entre empiristes et cartésiens.David Simonetta - 2013 - Astérion 11.
    « Le bon sens est la chose du monde la mieux partagée. » Il n’est pas rare de voir dans l’incipit du Discours de la méthode un de ces énoncés cartésiens qui, par leur simplicité et leur transparence, marquèrent une rupture avec la technicité de la philosophie scolastique des siècles précédents. Pourtant, à se pencher sur les commentaires qui ont été produits de ce texte, dès sa publication, il apparaît que pour un certain nombre de contemporains de Descartes, il y (...)
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  38.  14
    Nietzsche e il criticismo.Marcello Simonetta - 1991 - Idee 18:127-129.
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  39.  46
    Une correspondance entre anneaux partiels et groupes.Patrick Simonetta - 1997 - Journal of Symbolic Logic 62 (1):60-78.
    This work is inspired by the correspondence of Malcev between rings and groups. Let A be a domain with unit, and S a multiplicative group of invertible elements. We define A S as the structure obtained from A by restraining the multiplication to A × S, and σ(A S ) as the group of functions from A to A of the form $x \longrightarrow xa + b$ , where (a, b) belongs to S × A. We show that A S (...)
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  40.  14
    Some recent theoretical results on amorphous packings of hard spheres.F. Zamponi - 2007 - Philosophical Magazine 87 (3-5):485-495.
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  41.  24
    Un ignoto compendio sozomeniano degli 'Erotemata'di Manuele Crisolora.Stefano Zamponi - forthcoming - Rinascimento.
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  42.  19
    Remote Home-Based Virtual Training of Functional Living Skills for Adolescents and Young Adults With Intellectual Disability: Feasibility and Preliminary Results.Simonetta Panerai, Valentina Catania, Francesco Rundo & Raffaele Ferri - 2018 - Frontiers in Psychology 9.
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  43. El silencio y la palabra: secretarios, letrados y consejeros entre Humanismo y Renacimiento.Simonetta Scandellari - 2008 - Res Publica. Murcia 19:275-298.
     
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  44. From collector to scholar: The path of Avraam Norov (Avraam Sergeevic Norov).Simonetta Bassi - 2006 - Rinascimento 46:619-628.
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  45.  10
    Il lessico della modernità: continuità e mutamenti dal XVI al XVIII secolo.Simonetta Bassi & Elisa Fantechi (eds.) - 2023 - Roma: Carocci editore.
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  46.  8
    Il sogno di Ezechiele: Tocco e Gentile interpreti di Bruno.Simonetta Bassi - 2004 - Roma: Edizioni di storia e letteratura.
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  47. Moments of luck of Giordano Bruno between the end of nineteenth and early twentieth century.Simonetta Bassi - 2012 - Rivista di Storia Della Filosofia 67 (3):549-567.
  48. Governance: ripensare l'esser-ci collettivo.Simonetta Botti - 2005 - ENCYCLOPAIDEIA 18:115-128.
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  49.  32
    Di che aura parliamo? Aura, ovvero della meravigliosa modifica della nozione stessa di arte.Simonetta Lux - 2013 - Rivista di Estetica 52:131-148.
    Benjamin does not see or does not want to see the new “aura” that makes the art of cinema “art” which stays as the central feature of the totally renewed statute of artistic activity in the age of mechanical reproduction. In his essay of 1936, Benjamin acquires the arguments of all those authors who, between the first and second decades of the Twentieth century, had described this art and his new aura: Paul Valéry, George Duhamel, Léon Pierre-Quint, Luigi Pirandello, Bertolt (...)
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  50.  18
    The Vattimo Dictionary.Simonetta Moro (ed.) - 2023 - Edinburgh University Press.
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